Regardless of the dedication to Napoléon, and regardless of the hidden programs invented by fanciful musicologists, what we know for sure is that Beethoven eventually dedicated his Third Symphony, “composed to celebrate the memory of a great man,” to one of his most generous patrons, Prince Lobkowitz. The gigantic, dramatic first movement is full of melodies; even so, the music has a unified atmosphere. The slow funeral march (second movement) deepens the grief of the preceding movement, offering solace with the unexpectedly emerging Scherzo (third movement). The symphony ends in a variational finale, the main subject of which has already been used by Beethoven several times. The movement includes a fugue, Hungarian motifs, and much more.